John Lithgow played Trump, Kevin Kline played Robert Mueller, and Alyssa Milano played Trump lawyer Jay Sekulow. But the very starry ‘The Investigation’ told us nothing new.
David Freedlander is a veteran New York City-based journalist. He writes long-form features about politics and the arts, people and ideas, and has appeared in New York Magazine, Bloomberg, Rolling Stone, ArtNews, The Daily Beast, Newsweek and a host of other publications.
All tagged Theater
John Lithgow played Trump, Kevin Kline played Robert Mueller, and Alyssa Milano played Trump lawyer Jay Sekulow. But the very starry ‘The Investigation’ told us nothing new.
It is ultimately a story of how ambitious and privileged people comport themselves to the new realities of power; how evil comes tiptoeing in upon those who would prefer to not pay attention; and how brutality begins, and can thus only end, in the home.
Music geekdom is a terrible affliction. You have to mostly suffer in private, since who among your friends and loved ones could ever understand that the original Miles Davis Quintet isn’t jazz so much as pure gold distilled into the form of sound, or that the Chicago post-rock scene in the late 1990s rivaled the grunge scene in Seattle in the early ’90s for its brilliance and depth or that no, you can’t go out tonight, you have to go home and listen to the first Faces album on repeat.
“It used to be fearless, provocative, fun—where’s the fun gone from the Street, it’s boring, fuck it,
A body, killed dead by the state, lies unburied in full public view. The authorities say that the corpse deserves to be punished, that the body is that of an invader’s, someone who is a danger and a threat to the community. Chaos ensues, as the community grapples with notions of justice and fairness.
The wars that are ripping the culture apart around the world really come down to a single question: was life a little bit better not so long ago, or not?
In Zayd Dohrn’s play ‘The Profane,’ a romance brings conservative and liberal Muslim beliefs into emotional opposition.
‘The Hairy Ape’, as staged in the 55,000 square foot space of NYC’s Park Avenue Armory, is a work of art: a painting, or a puppet show perhaps. You don’t see it, so much as sink into it.