How Substack became home to big-name journalists who felt “the Youngs” in newsrooms were putting wokeness ahead of important ideas
David Freedlander is a veteran New York City-based journalist. He writes long-form features about politics and the arts, people and ideas, and has appeared in New York Magazine, Bloomberg, Rolling Stone, ArtNews, The Daily Beast, Newsweek and a host of other publications.
All tagged theater
How Substack became home to big-name journalists who felt “the Youngs” in newsrooms were putting wokeness ahead of important ideas
Phillip Santos Schaffer’s “Baby Jessica’s Well-Made Play” uses the mine-fall drama that transfixed America to examine connection and empathy, with the audience in a starring role.
The 2019 Whitney Biennial is the first edition of the prestigious survey of contemporary American art of Donald Trump's presidency, and he is an unavoidable presence.
“Frankenstein does feel a bit like the accumulation of everything we have learned over the past eight years. It’s pulling out all the stops to make something crazy complicated”
They flirt, they fight, they make silly jokes, they snort coke and dance and drink and dance and sing and make music using serving tongs as castanets”